Tuesday, July 25, 2017

Thor: Ragnarok and Justice League (NEW) Trailers

Comic-Com is always a hot bed for debuting new footage, and one of the hot trailers to drop at this year's event belongs to Thor: Ragnarok. In the latest Thor (Chris Hemsworth) saga, the God of Thunder is forced to assemble a team of fighters including The Hulk (Mark Ruffalo), Loki (Tom Hiddleston) and others to fend off the evil Hela (Cate Blanchett) who plans to destroy Asgard and reconstruct it in her own dubious image. Thor: Ragnarok arrives in theaters early this November and you can catch the film's first-look trailer below.

Another Comic-Com release includes DC's upcoming major title, Justice League. With rumors of re-shoots and Zach Snyder's unfortunate family matter that resulted in him stepping away from the film late in the process, DC's once "gem" is beginning to look like a cursed effort. Batman (Ben Affleck) enlists the help of Wonder Woman (Gal Gadot) to recruit a team of metahumans to combat a world-destroying threat before it's too late. Justice League will introduce Aquaman (Jason Momoa), The Flash (Ezra Miller) and Cyborg (Ray Fisher) to DC's ever-expanding universe. While some may argue this as a make-or-break effort for the Marvel counterpart, as long as the box office results stay strong, there's no reason to expect an ending in sight. Check out the latest footage for Justice League below.

Friday, July 21, 2017


Christopher Nolan, a name that needs no introduction. As one of the most notable filmmakers in the world today, Nolan has earned the right to not be questioned. "Unconventional" is his calling card. So when it was reported that his new WWII epic, Dunkirk, boasts a running time of only 106 minutes, a far cry from the two and half and three hour staples we've come to expect from iconic war films, the only thought running through my head was "in Nolan we trust".

In the early stages of World War II, the Germans have cornered Allied forces onto the beaches of Dunkirk, France. And rather than wasting valuable tanks to finish them off, the Germans bombard these helpless soldiers with an aerial attack of gunfire and bombs. But as word spreads to the common folk of Great Britain that their young fighters are stranded on the beachfront, they take matters into their own hands and embark on a heroic rescue mission across the channel to retrieve their soldiers.

Look no further than works such as The Dark Knight trilogy, Inception, Memento, Interstellar and many others to understand that Christopher Nolan has made a career off of unforgettable filmmaking. His latest entry is yet another spellbinding experience that refuses to waver in intensity. Nolan's direction is sharp and on point while Dunkirk's cinematography is nothing short of majestic. But when all is said and done, the true all-star behind this film is Nolan's regular collaborating partner, composer Hans Zimmer. His relentless score keeps your heart pounding as the bullets fly and the bombs explode throughout the entire duration of the film.

Although Dunkirk represents an exceptionally-made piece of cinematic art, it doesn't come without its blemishes. Dialogue is rare to come by, not that it necessarily matters, but it leads to a lack of character development and any real semblance of a story that ultimately plagues the film and keeps it from being an absolute masterpiece. Instead, Dunkirk simply unravels as a sequence of events which capture a truly amazing real-life occurrence. And the film's underlying dichotomy of both bravery and cowardice in the face of danger is delivered eloquently. Dunkirk is another strong piece of filmmaking from Nolan, something we've come to expect with each new release of his, but its complete disregard for character building and failure to offer a true narrative structure absolutely destroy the film's re-watchability. Oscar chatter is already being thrown around for this July release and I really wouldn't be surprised one way or the other. But if you're in search of a gut-wrenching and high octane throwback to World War II, Christopher Nolan's Dunkirk will certainly take you on a ride unlike any other.

Stars: 3 stars out of 4

Grade: B+

Wednesday, July 19, 2017

The Snowman and The Disaster Artist Trailers

From the acclaimed Best Selling Novel comes Tomas Alfredson's (Tinker Tailor Soldier Spy and Let the Right One In) October murder-mystery, The Snowman. Michael Fassbender stars as Harry Hole, a detective determined to find a killer who taunts the police with snowmen at his crime scenes. Readers were enthralled by the novel and if the film can be anywhere near as good, then we may have the year's most gripping crime-thriller on our hands. Check out the debut trailer for The Snowman which just dropped this morning.

Tommy Wiseau's 2003 indie film, The Room, has been labeled as one of the worst films ever made, but that hasn't stopped it from earning an impressive cult following. And after debuting a "work in progress" screening at this year's SXSW Film Festival, James Franco's behind-the-scenes darkly comic, albeit respectful, dramatization, The Disaster Artist, became the talk of the town. Franco's brother, Dave, and regular partner in crime, Seth Rogen, co-star in this underdog December release. Catch the first-look teaser trailer for The Disaster Artist below.

Tuesday, July 18, 2017

War for the Planet of the Apes

Matt Reeves closes out his third (and perhaps final?) installment of the rejuvenated Planet of the Apes franchise with this weekend's release. And while lofty praises continue to pour in for this latest effort, the film doesn't quite justify its combative title. Instead, Reeves bridges his story arc with the 1968 original film through an ambitious effort that reaches for a more emotional angle than battle-infused centerpiece.

While Caesar (Andy Serkis) and the rest of his advanced ape society reside deep in the wilderness, they suffer a severe number of casualties during ambush attacks from a human army led by "The Colonel" (Woody Harrelson). But as the majority of the ape population wishes to trek beyond the mountains in search of a new land to call home, Caesar and a select few turn their backs on the tribe and seek vengeance on The Colonel. The feuding leaders meet in the midst of a deadly showdown that could determine the fate of humanity.

Matt Reeves' aspiring epic prides itself on themes of family, revenge, sacrifice and morality. And one of the most profound aspects of the film is how Reeves and co-writer Matt Bomback circumvent any sense of repetition with the franchise's last film and continually drive heady, new ideas into this 140-minute tour de force. In doing so, War for the planet of the Apes always provides a clever turning of the page in its story and never falls victim to what could have been a long-winded endeavor. But despite these well-crafted shifts throughout the film, its screenplay does miss the mark with some puzzling new developments, especially those transforming Koba-loyalist apes into traitors who now pledge their allegiances to the humans. Koba was so anti-human and the backbone of the second film's brutal battle between the two ape factions, that it seems completely implausible.

Another interesting development is the lack of full fledged combat in a film that carries a title such as this one. Rather than funneling his attention to a string of action-packed fight scenes, Reeves and company pivot their tale to a more emotional side of Caesar. In some regards this element of the film becomes very preachy, often reminding the viewer via dialogue all along the way as to why Caesar and his small pack are on their mission. Yet, this lofty attempt at the dramatics also serves as a refreshing and much-needed twist to the saga that Reeves captures pretty well. War for the Planet of the Apes isn't exactly the masterpiece some have labeled it to be, but the latest and possibly final chapter in this set of prequels is without a doubt a satisfying one.

Stars: 3 stars out of 4

Grade: B

Monday, July 17, 2017

Blade Runner 2049 (NEW) and A Wrinkle in Time (Teaser) Trailers

This October Denis Villeneuve (Arrival and Sicario) will re-brand Ridley Scott's beloved sci-fi universe with the sequel Blade Runner 2049. Set three decades after Scott's effort, a new Blade Runner named Officer K (Ryan Gosling) enlists the assistance of Rick Deckard (Harrison Ford) in order to combat a dark secret with the potential to destroy society. Villeneuve is one of the hottest filmmakers in the industry and fresh off an Oscar nod, Ryan Gosling in the lead role has to excite everyone. Catch the just-released newest trailer for Blade Runner 2049 below.

Ava DuVernay tackles the classic Madeleine L'Engle novel, A Wrinkle in Time, slated for a March 2018 release. Following the disappearance of her father (Chris Pine), Meg Murry (Storm Reid) travels into space with her brother and friend in order to find him. This debut trailer for DuVernay's effort looks spectacular and feels authentic. With Reese Witherspoon, Michael Pena, Zach Galifianakis, Oprah Winfrey and Gugu Mbatha-Raw in supporting roles, A Wrinkle in Time could be a surprisingly worthwhile early-year release in 2018. Catch the film's first-look footage below.

Wednesday, July 12, 2017

Rapid Reviews: Despicable Me 3 and The House

If there's one current animated franchise I always look forward to, it's the Despicable Me films. Credited directors Kyle Balda, Pierre Coffin and Eric Guillon (co-director) bring to theaters the third installment of this series. Yet, with each subsequent journey into the hilarious and complicated life of former-super-villain Gru (voice of Steve Carell), the Despicable Me franchise seems to take a step backwards.

After foiling an attempt at capturing the disgruntled former child star and 80s retro villain, Balthazar Bratt (voiced by South Park creator Trey Parker), Gru and Lucy (Kristen Wiig) are fired from the Anti-Villain League (AVL). And just as Gru breaks the unfortunate news to his trio of adopted daughters, he's visited by a man who reveals that Gru has a twin brother named Dru (also Steve Carell) who happens to possess a taste for villainy himself. The estranged siblings engage in some mischievous behavior behind Lucy's back and it leads on a path back to Balthazar Bratt once again.

Despicable Me 3 misses a grand opportunity with the franchise's over-arching story to develop a deep and impactful character conflict with Gru, all while continuing to keep its running time under the 100-minute threshold. Rather, the team involved takes a simpler and thoughtless approach that keeps the effort from ever really standing out. Sure, the film delivers familiar laughs with its quirky main characters and boundless minions, who always find clever ways of bringing the humor, but devoting all of its attention to a contrived twin-brother creation fails to take the Despicable Me franchise any further. If you aren't already an invested fan of the series, then there isn't nearly enough to warrant a watch.

Stars: 2 stars out of 4

Grade: C+

Over the last two decades Will Ferrell's career trajectory has been trending in the wrong direction. Its path falling steeper and steeper with each passing movie decision. But it's the latest co-called "comedy" from first-time director and established screenwriter, Andrew Jay Cohen (Neighbors 1 & 2 and Mike and Dave Need Wedding Dates), that marks an absolute low for the one-time king of comedy.

Timid suburban parents Scott and Kate (Ferrell and Amy Poehler) are banking on a local town scholarship to help pay for their daughter's expensive college tuition. But when a crooked councilman (Nick Kroll) votes to terminate the scholarship fund in favor of building a fancy new community pool, they must do whatever it takes to afford the first fall payment, even if it means opening an underground casino in their emotionally unstable friend's (The League's Jason Mantzoukas) house. The couple quickly learns that they have to toughen up in order to run a successful and respectable illegal gambling operation.

The story borderlines on lunacy, the laughs are almost non-existent and, in fact, there's almost nothing redeeming in Cohen's The House. I apply to the school where comedies are supposed to be clever and make you laugh. The "clever" tag has faded a bit over the years, but at least most modern comedies can still generate a response with some type of identifiable humor. Oddly, The House doubles down on incoherently improvised gibberish that's neither funny or effective in any way, shape or form. Known for his outlandishly over-the-top personae in tv shows and on the big screen, Jason Mantzoukas stands as the only lifeline in the film and, honestly, he isn't all that great either. Roll the dice with something, even anything, else and take a long walk away from The House.

Stars: 1 star out of 4

Grade: D