Saturday, June 24, 2017

Stronger and Thank You for Your Service Trailers



As we get into the swing of the summer season, fall's potential Oscar players begin to unveil their trailers. One such film comes from the long-time comedy guru, David Gordon Green. Stronger's Jake Gyllenhaal stars as Jeff Bauman, a Boston native who lost his legs during the deadly 2013 marathon attack. And as he struggles to accept his fate, Jeff also serves as a valuable resource for investigators as they work diligently to find the bombers. It's evident that Stronger will be a heavy drama and perhaps one that could propel Jake Gyllenhaal into the heart of the Best Actor race. Stronger debuts September 22nd and you can catch the film's first trailer below





From the screenwriter of American Sniper and the producers of Lone Survivor comes the latest tale of a soldier struggling to adjust to life after war in Jason Hall's Thank You for Your Service. Miles Teller stars as Adam Schumann, a decorated soldier experiencing severe PTSD as he attempts to live a normal life with his family, Thank You for Your Service appears to be a respectful nod to the soldiers who put their lives on the line for freedom, as well as the lack of resources our country provides for them after the fact. Thank You for Your Service arrives in late October and you can catch the film's debut trailer below.




Wednesday, June 21, 2017

Rapid Reviews: Rough Night and 47 Meters Down





Back in 2009 Paul Feig's Bridesmaids launched the R-rated female comedy genre into the middle of mainstream cinema. And since then, stars like Melissa McCarthy, Tina Fey and Amy Schumer have carried the torch through a mostly unspectacular crop of releases. But in-steps the eye-popping Scarlett Johansson, an unlikely character actress who finds herself starring in Broad City director Lucia Aniello's feature film debut, Rough Night.

The film centers around bride-to-be Jess (Johansson), a state politician caught in the middle of a neck-and-neck race. Her former college roommate (Jillian Bell) demands an elaborate bachelorette getaway weekend, and things go completely sideways when a freak accident leads to a dead stripper in their shore house. Jess and her best friends need to put their petty grievances aside and work together to avoid some serious jail time.

There are a few strong positives provided in Lucia Aniello's Rough Night. Cleverly scripted humor is sprinkled throughout, allowing the film to do more than just rely on raunchy and vulgar jokes. In addition, Scarlett Johansson transitions from drama to comedy with exceptional ease. Her performance is the glue that holds the rest of this up-and-down cast together. Co-stars Jillian Bell, Zoe Kravitz, Ilana Glazer and SNL's Kate McKinnon, who sports her finest Aussie accent, each offer a handful of shining moments. Yet, they also suffer from grossly embellished characters and instances of all-out absurdity. Sometimes the craziness is effective, but other times it's a legitimate concern. Futhermore, Rough Night's secondary storyline following Jess' fiance Peter (screenwriter and co-star Paul W. Downs) is way over the top. If you're seeking some easy and constant laughs with little regard for a sensible plot, Rough Night will surely suffice. But if you're searching for a comedy that's plausible and grounded in reality, then you should look elsewhere.


Stars: 2 stars out of 4

Grade: C+





The Discovery Channel's "Shark Week" marathon is right around the corner and if you're trying to find a way to set the mood for July's annual festivities, you may want to consider Johannes Roberts' new underwater thriller, 47 Meters Down. Roberts, who has also been handed the keys to the upcoming 2018 horror sequel Strangers 2, brings a recognizable lead, Mandy Moore, on board for this new release. And with shark infested waters and bikini clad women dominating the screen time, what more could a horror fan ask for?

Sisters Lisa (Moore) and Kate (Claire Holt) are vacationing in Mexico trying to break Lisa out of her conventional and boring lifestyle. But when Kate convinces her sister to climb into a rickety cage in the middle of the ocean surrounded by enormous Great White Sharks, things go south quickly when the cage breaks from the ship and crashes 47 meters below to the ocean floor. Running out of oxygen and with blood-thirsty sharks hovering above, the sisters try desperately to formulate a plan for survival.

There are some noteworthy elements to Johannes Roberts' tense new thriller. After a heart-pounding free-fall into the dark depths of the ocean floor, 47 Meters Down makes you feel the confinement of its lead characters. The film provides an inherent "ticking time bomb effect" with air-tank gauges that constantly remind the audience of the impending doom. Moreover, the visual effects with the sharks are superb, creating genuine fear during their timely arrivals on screen. But despite these effective attributes to the film, 47 Meters Down finds itself mired in a repetitious cycle of conflicts and resolutions that transform this 89-minute experience into an unimaginable marathon. And as the film crawls to its finale, Roberts and co-writer Ernest Riera miss the mark completely with a crafty ending that doesn't quite provide the punch that they were expecting. 47 Meters Down is a frustratingly slow, albeit occasionally tense, thriller that turns its back on some golden opportunities.


Stars: 2 stars out of 4

Grade: C

Sunday, June 18, 2017

The Best Movie Dads


This being my first Father's Day celebration as a dad, I decided to put together a list of the best cinematic fathers for June's Movie List of the Month (May's list). Since being a dad is hard work and time consuming, this was a spur of the moment list and one that I may have missed some notable choices. Feel free to comment below with some of your personal favorites and ones I've regretfully omitted. Happy Father's Day to anyone out there who's performing a father-like role!

Honorable Mention: Bill Nighy - About TimeEugene Levy - American Pie, Ray Liotta - BlowStanley Tucci - Easy A, Sean Connery - Indiana Jones and the Last Crusade and J.K. Simmons - Juno


#5. (Voice of) Albert Brooks - Finding Nemo (2003)


I'm going to kick off my Top 5 with the animated film Finding Nemo, which tells the fantastic story of a father who goes to great depths to save his son. After Nemo becomes captured by a boat full of scuba divers, his father, Marlin (Brooks), teams with a forgetful Blue Tang (Ellen DeGeneres) to rescue him from impending doom at the hands a dentist's reckless, brace-faced niece. Marlin never gives up in his quest for Nemo and even learns a few positive parenting tips along the way. 


#4. Liam Neeson - Taken (2008)


Looking back at another heroic father whose love for his daughter knows no bounds, Liam Neeson reminds everyone to make sure that a girl's father doesn't know "a particular set of skills" before kidnapping her. Retired CIA agent Bryan Mills (Neeson) learns that his daughter's been abducted on a European trip and travels the globe to kill her captors and hopefully find her alive. Not only is Mills an absolute killing machine, but he also has a soft spot for the special young lady in his life.


#3. Marlon Brando - The Godfather (1972)


Not all dads can provide positive influences in every aspect of life, some are saddled with a darker side. Yet, no one can ever question Don Corleone's (Brando) love for his family. As the patriarch and head of an organized crime empire approaches the latter stages of life, he tries passing the immense responsibility and leadership onto his reluctant son Michael (Al Pacino). The Godfather isn't just a gangster-film masterpiece, it's a beautiful examination of loyalty and family-commitment through and through.


#2. Robin Williams - Mrs. Doubtfire (1993)


Here to lighten the mood is the late Robin Williams' masterful performance in Mrs. Doubtfire. After a fed up mother (Sally Field) decides to divorce her hilariously childish husband (Williams), they embark on a bitter custody battle that provider her full custody and leaves him with Saturday visits only. He decides to do whatever it takes to see more of his children, even if it means dressing in drag and posing as their new British nanny. This clever and comical story simply revolves around the boundless love between a father and his three kids.


#1. Chevy Chase - National Lampoon's Vacation (1983)


Finally, The National Lampoon's Clark Griswold (Chase) takes the top honor as cinema's greatest dad. Clark's patriarchal conquests (or lack thereof) span a collection of films, but I'll focus on his humble beginnings when a family road-trip to the Wally World theme park tests his patience and sanity. Life isn't always too kind to Clark, but he's been blessed with a (sometimes) loving family whom he cherishes. And through these ups and downs that the world constantly throws his way, Clark reminds us all that family is the most important thing we have.

Wednesday, June 14, 2017

Rapid Reviews: It Comes at Night and The Book of Henry





Having experienced both of his films, it's clear that Trey Edward Schults cares more about how his movies make you feel rather than the boldness of their stories. Consequently, the young filmmaker has maneuvered a stranglehold over the independent filmmaking world with his festival-darling debut feature, Krisha. Countless accolades from the most prominent indie awards groups bridged Schults' accessibility to bigger talent and larger funds in order to return with his shamefully mis-marketed follow-up, It Comes at Night.

A highly infectious disease has dwindled mankind and a former history teacher (Joel Edgerton) has managed to keep his wife and teenage son alive in a secluded and enclosed shelter in the middle of the woods. But when a stranger arrives at their safe-haven seeking water and refuge for his family, they agree to stay in the shelter together and combine resources. Yet, tensions arise when both families quickly discover that they'll do whatever's necessary to stay alive.

I can't understand why It Comes at Night has been branded as a horror film when its most terrifying scenes all occur in a handful of brief dream sequences. If you're chasing scares, then look elsewhere. Instead, Schults' sophomoric effort blends feelings of claustrophobia, paranoia and fear into a rangy psychological drama that offers rare and thinly-spread moments of suspense. Trey Edward Schults uses a manipulation of aspect ratios and clever camerawork to frame instances in the story that elicit various emotions from the viewer. It's a unique ability that resonates well, but one that also needs a complement of other factors to fully appease the audience. Therefore, despite the film's narrowly developed story, exceptional performances from the entire cast help ease its slow-building tension that mounts like a well-choreographed dance as the stakes for survival grow higher and higher. It Comes at Night shows a darker side of humanity through a largely ambiguous lens. Personally, I enjoyed connecting the dots and cementing my own belief to the film's events. However, if you're someone who needs to know every little detail of a story, then expect to be frustrated. But either way, we'll all remember exactly how the film's explosive finale made us feel.


Stars: 3 stars out of 4

Grade: B





Director Colin Trevorrow's career has been on an odd trajectory ever since his well-made 2012 indie debut, Safety Not Guaranteed. The film's sci-fi backdrop and critical success paved the way for Trevorrow's emergence on the big-budget blockbuster stage with the money-printing franchise reboot, Jurassic World. Yet, before he closes out the latest Star Wars trilogy as the visionary behind 2019's concluding Episode IX, Trevorrow changes course entirely with the new limited-release drama, The Book of Henry.

Henry (Jaeden Lieberher) is a remarkably gifted and bright 11 year old boy who serves as the voice of maturity in a household that includes his waitress mother Susan (Naomi Watts) and younger brother Peter (Jacob Tremblay). But when Henry discovers that his next door neighbor and classmate Christina (Maddie Ziegler) is being abused by her police-chief stepfather (Dean Norris), he concocts a deadly plan to help free her from this miserable home life. Yet, unable to take care of matters himself, Henry pens a precisely detailed book so that his mother can carry out the plan.

At its core, The Book of Henry tells a heartbreaking, albeit somewhat uplifting, tale that satisfies with minor elements of humor, suspense and tenderness. Yet, an unforeseen sappy mid-section, one that would typically crumble under normal circumstances, plays surprisingly well thanks to a pair of Hollywood's most talented young performers. Jordan Lieberher and Jacob Tremblay. Lieberher broke into the industry as Bill Murray's sidekick in the affable comedy St. Vincent, while Tremblay is best known as the youngster in recent Best Picture nominee, Room. Together, these two stars in the making guide the audience through a messy and flawed story. Trevorrow and screenwriter Gregg Hurwitz attempt to wrap everything up in an inspiring fashion, yet force puzzling and unrealistic behaviors onto characters in order to make this narrative fit. Henry's cerebral and premeditated nature constantly preaches the notion that any miscalculation can throw off a plan entirely. Sadly, in opposition to what The Book of Henry teaches, flimsy and imperfect writing transforms this fun and heartfelt drama into a wildly mediocre film.


Stars: 2  stars out of 4

Grade: C+


Sunday, June 11, 2017

Black Panther (TEASER) and American Made Trailers


The Marvel Cinematic Universe continues its expansion as we're given a teaser trailer for Ryan Coogler's (Creed) 2018 entry, Black Panther. Following the events from Civil War, King T'Challa (Chadwick Boseman) returns to rule his technologically advanced African Country where he finds a faction of his civilians who desire to overthrow his power. Black Panther is set for a tempered February release early next year, but it should primed for another huge box office as a spin-off sage from Marvel. Catch the premiere teaser trailer below.





Tom Cruise's weekend release, The Mummy, hasn't fared too well, but the one-time king of the box office hopes to rebound with September's crime-thriller, American Made. Doug Liman's (The Bourne Identity) 1980s-set film follows a pilot (Cruise) who aids the CIA on a reconnaissance mission to a volatile Central America where he soon finds himself atop one of the agency's biggest covert missions of all-time. A Cruise-Liman collaboration should pique the interest of action fans everywhere, and you can see American Made's first-look trailer below.




Tuesday, June 6, 2017

Rapid Reviews: Wonder Woman and Baby Driver





With inadequate disappointments such as Man of Steel, BvS: Dawn of Justice and Suicide Squad paving the way for the budding DC Comics film universe, something needed to jump-start this hypothetical super-world. And that film has finally arrived, courtesy of Monster director, Patty Jenkins, and what's only her second feature film. Wonder Woman tells the epic origin story of a god-like princess-warrior with some insane battle moves. What more could you possibly want?

Raised on the island paradise of Themyscira, a young Diana (Gal Gadot) develops a fascination with hand-to-hand combat training. Under the tutelage of her aunt Antiope (Robin Wright), a skilled army general, Diana becomes the most gifted warrior among all her people. And when a British spy named Steve Trevor (Chris Pine) crashes his plane off the coast of the island, Diana learns of the first great World War and accompanies Steve back into the heart of Europe in order to confront an ancient prophecy.

If the premise sounds a bit messy, well that's because it is. But Wonder Woman's hybrid-blending tale of mythology and chronicled world-history is a beautiful mess indeed. The film's first act details Diana's life on an island paradise hidden from the rest of the world. Surreal and other-worldly circumstances mold effortlessly with reality the moment Steve Trevor enters the picture. Chris Pine injects a much-needed energy that's complemented to perfection by co-star Gal Gadot's idealistic and infectious persona. Furthermore, Diana's obliviousness to the real world acts as a clever genesis to Wonder Woman's exceptional comedic elements. The banter between Steve and Diana is well-written and organic, which also allows for their characters to develop as the story progresses. But not only is the writing stellar, Pine and Gadot prove to be extremely capable leads as well. Perhaps, more surprising is Gadot's natural transition into the spotlight. Her charm, talent and beauty make stardom look so easy, it's impressive. And despite a finale that achieves its goal in a less-than perfect fashion, Wonder Woman is too smooth and enjoyable of a ride to shy away from.


Stars: 3 stars out of 4

Grade: B





One of the hottest films out of this year's SXSW lineup was Edgar Wright's high octane action-comedy, Baby Driver. Wright is best known for his singular style with critically acclaimed titles like Shaun of the Dead, Hot Fuzz and The World's End. This time around, though, Wright dives deep into the crime underworld of bank-robbing with a unique vision that only he can deliver.

Baby (Ansel Elgort) is the best get-away driver around, so he becomes the key cog in the operation of a powerful crime boss (Kevin Spacey) who masterminds bank robberies. But as Baby tries his hardest to give up this secret career, his waitress girlfriend (Lily James) and foster father find themselves entangled in the dangerous racket. This leaves Baby no choice but to take part in a heist that feels doomed to fail.

Baby Driver utilizes a phenomenal soundtrack to its advantage. The film's title character suffers from a constant hum in the eardrum following an accident as a child, and he's always listening to music in her earphones to drown out the noise. Consequently, Wright uses this behavior to edit his film accordingly in an uptempo and rhythmic sequence that keeps the pace flowing. Baby Driver moves without a hitch throughout its first two acts, lining up insanely-choreographed stunt driving with a witty dialogue that's become a staple in Wright's oeuvre. However, for no good reason whatsoever, Wright ditches his rhythmic approach during a third act that falls completely off the rails in both a realistic sense and structure. Baby Driver bounces from what feels like ending, to ending, to ending in a roundabout fashion that does absolutely no justice to the film. A once compelling effort becomes tarnished by cheaply dramatic flashback sequences and a forgettable finale. Thankfully, a thrilling and comical majority of the film makes its blemished conclusion worth sitting through.


Stars: 2 and a half stars out of 4

Grade: B-