"The Switch" is definitely OFF!

Film: The Switch

Starring: Jason Bateman (Juno, Up in the Air), Jennifer Aniston (The Break Up, Office Space), and Jeff Goldblum (Independence Day)

U.S. Release: 2010 (Rated PG-13)

Director: Josh Gordon (Blades of Glory) and Will Speck

Genre: Comedy

Runtime: 101 minutes


For anyone, when pre-judging a movie, looking at the cast of film can sway your biased opinion one way or the other. After seeing the clever trailer of the latest comedy release, The Switch, I was convinced that with an All-Star lineup of Bateman, Aniston, and Goldblum, how could the movie disappoint? Well as the saying goes, "Never judge a book by its cover". It's a great rule, and one I overlook on a daily basis.

Set presently in New York City, The Switch circles around Wally Mars (Bateman) who is stuck in the "friend zone" with Kassie Larson (Aniston). One day, Kassie confides in Wally her desire to be artificially inseminated and things begin to take a crazy turn. Absolutely against the idea, Wally tries to coerce Kassie into changing her mind, but the middle-aged woman won't bend. When it's time for the big day, a drunken Wally foils the evening. Unable to recall what happens, he forgets that he switched the donor's sample with his own. Soon after, Kassie's pregnancy is under way and she moves to the mid-west in order to raise her son, Sebastian. Seven years later, her and her son return to New York, and Wally begins to see similarities with himself and Sebastian. But how can he explain this bizarre situation to the woman he's always loved?

The idea is intriguing, but the execution and direction is lackluster. Undoubtedly, you'll find yourself laughing occasionally throughout the movie, but there are far too many yawns and glances at the watch. The Switch has a lot of promise, but it falls apart in it's subtle delivery. The acting is mediocre and the chemistry between Bateman and Aniston isn't convincing at all. Finally, the ending was troublesome to me. The movie doesn't show the character's emotional transformation that's necessary to warrant the film's resolve.

All in all, it's tough to dislike a comedy. The Switch was enjoyable, but when you put it up against other top-notch films of its genre, it doesn't stand a chance. So once again, avoid the skyrocketing movie ticket prices and wait for DVD.


Watch The Switch if you enjoyed: Knocked Up. I wasn't particularly a fan of that movie either, but both films have a similar feel and delivery.

Stars: 1 and a half stars out of 4

Short Reviews By A Short Man: 3 Releases You Need To Read About

I've had the pleasure of getting out to the movies like rapid fire these past few weeks. Not only have I seen many of Summer's most talked about releases, the films have also spanned all sorts of genres, which has given me sort of a cultured feeling. For instance, I finally made it out to see the thought provoking and action-packed blockbuster, Inception, which has EVERYONE talking ... still. Also, I viewed the comedy Dinner For Schmucks and the drama Eat, Pray, Love. So, as you could have guessed, I have lots to talk about.

Since these reviews bring me in a collective income of zero dollars a year, I'm going to have to keep these critiques a little shorter (but a lot sweeter) than normal. Hopefully you won't feel short-changed and you will still get enough input about each movie to determine whether or not you should see it.


Up first is Inception. This abridged review is LONG overdue. I went to see it about a month after its release and the theatre was still somewhat crowded. The movie leaves you with plenty to talk about even after the credits roll (literally). Starring Leonardo DiCaprio and Joseph Gordon-Levitt (both of whom have been linked to director Christopher Nolan's Riddler role in the next installment of Batman), Inception is a futuristic tale about infiltrating dreams. Leo plays a thief who finagles his way into a person's dream in order to steal valuable information. He's so good at this practice he's even made a career out of it. However, he can't escape his haunted past. Therefore, in order to correct a very important problem, Leo takes on a job that will (hopefully) reconnect him with his family.

Inception is undoubtedly a genius idea and creation. It's well thought out, and even delivered clearly by the director Christopher Nolan. However, some of the gun fighting scenes got a little tacky and began feeling like overkill. You also have to pay close attention and listen to the dialogue religiously, or else you can miss key information. Nolan's a master at connecting every detail of the story together like a puzzle, but you need to make sure you've seen and heard all the pieces. I thought it was a very clever and elegantly directed picture. There were some beautifully filmed sequences (i.e. showing how time elapses at different speeds in the various layers of dreams) and a solid story. If you have the patience and if you haven't seen it yet, go out and experience what's been the year's best movie. 3.5 stars out of 4.


Next up is Dinner For Schmucks. Steve Carrell and Paul Rudd headline this screwball comedy about a group of businessmen who hold an annual dinner where they can get a good laugh at the assortment of guests. Each employee is given the task of bringing to dinner the strangest and most far-fetched person they encounter.

Paul Rudd plays a man who finally struck up enough courage to throw out an innovative idea at his workplace and it ended up being a hit with upper management. But before they hand him the promotion he desperately needs, they want to see how well he handles the dinner and the potential client. Rudd accidentally bumps into a Schmuck (played by Carrell), in the truest sense of the word, and the idiocracy of his "dinner guest to be" starts to tear through Rudd's life like a tornado. Carrell begins souring Rudd's personal and professional life, but Carrell's only chance of redemption and making amends with his new found friend, is to shine at the dinner.

Dinner For Schmucks is by no means a must-see comedy. It had it's fair share of laughs and off the wall humor, but the story was beyond realistic. Zach Galifianakis and Jemaine Clement were too over the top. Carrell and Rudd were both solid, but the film still didn't do anything to warrant a praiseworthy review. It's just a middle of the road comedy, and I suggest waiting for DVD. 1.5 stars out of 4.


Finally, there is the new Julia Roberts drama Eat, Pray, Love. The film revolves around a semi-neurotic woman (Roberts) who finds herself at a point in life where she is married and unhappy, with no recollection of how she got there. Reality hits her harder than ever this one evening, and she does something she's never done before. She prays to god for an answer. Roberts immediately asks her husband for a divorce and tries to cope as a single woman in New York City. Another failed relationship and wasted time force Roberts to take a drastic step. She decides to go on a soul searching quest around the world. She plans on gorging in Italy, Praying in India, and reaching the perfect balance in Bali. However, as life often does, she meets a wonderful man before her quest is complete. She struggles with the choice of jumping into a relationship with him, or achieving this perfect balance she so desperately needs.

Eat, Pray, Love is an interesting drama, but I was slightly disappointed with the lead actress Julia Roberts. This is her film, and although I didn't think she acted poorly in it, she wasn't convincing enough to draw me in to her character. I really wasn't captured by her story and nor did I feel compelled to care if everything would work out for her in the end. The supporting roles played by all 3 of her love interests throughout the film were excellent though. Billy Crudup as the husband she divorces, James Franco as her young fling before her quest, and Javier Bardem as the Brazilian romeo she falls for in Bali. I accept the film for what it's attempting to do, but it was less about love and more about personal revelation. It would have been better off as strictly a romance film. Unless you're a HUGE Roberts fan, I suggest holding off. 1 star out of 4.

The Truth About "Charlie": Efron is Fantastic

Film: Charlie St Cloud

Starring: Zac Efron (17 Again, High School Musical), Ray Liotta (Goodfellas, Blow), and Amanda Crew (The Haunting in Connecticut, She's the Man)

U.S. Release: 2010 (rated PG-13)

Director: Burr Steers (17 Again)

Genre: Drama

Runtime: 99 minutes


Just last week the reviews started pouring out for Burr Steers and Zac Efron's second collaboration Charlie St Cloud. The general consensus on the film was ... eh, not so good. Most critics described the film as M. Night Shyamalan-esque, and we know the direction that his career is headed. Since I don't have the luxury of seeing a film before its reviews hit the press, I had to do my best to tune out all of the negative critiques I read on the movie. That being said, it was nowhere near as bad the latest crop of Shyamalan films to hit the big screen.

St Cloud takes place in present day New England. Charlie (Efron) is a young, ambitious, and charming man with his future mapped out. His sailing scholarship to Stanford is his ticket to a better life. However, a fatal accident, for which Charlie can't help but feel responsible, ultimately leads to the death of his younger brother, Sam. Unable to cope with the loss, Charlie ditches his scholarship and becomes the local hermit. But Charlie has a deep secret, he can see and hear the spirit of his deceased brother Sam. Both of the siblings refuse to move on from this tragedy, and this posthumous relationship begins to consume Charlie's life.

The difficulty of the film is suspending your belief and allowing yourself to believe Charlie's visions. But once you accept his superhuman ability, Charlie St Cloud is a very moving story. Not only is the flow and storyline of the film adequate, but the acting is stellar as well. Efron has already reached "superstar" status with his teenybopper High School Musical franchise. His first project with St Cloud director Burr Steers was the fun family comedy 17 Again. Despite the film's simplicity, Efron was wonderful in the comedy, and he continued to show his versatility in the duo's latest project. He is only 22 years old, so we should expect many more quality performances from Efron in the future.

All in all, Charlie St Cloud wasn't anything groundbreaking or revolutionary, but in what's obviously been a down year for cinema, the film was a pleasant surprise. I wouldn't recommend the movie to everyone, but to any moviegoer who has a vivid imagination and enjoys a roller coaster ride of emotions, Charlie St Cloud will entertain you.


Watch Charlie St Cloud if you enjoyed: The Sixth Sense. It's less suspenseful than the classic Shyamalan flick, but it's dramatic and clever in its own way.

Stars: 2 out of 4

Christopher Nolan, You're Our Only Hope!

December 31st, 2010. In my lifetime, New Year's Eve has always had its "checklist". I know I'll be celebrating it with close friends. I'll text my mother at midnight. I'll be watching Dick Clark on the tube, and tomorrow will begin a whole new year of cinema. So as the countdown unwinds, 3 ... 2 ... 1... HAPPY NEW YEAR!

Well as it's turned out, there hasn't been too much to be happy about when it comes to movies in 2010. I've seen 17 films released this year and only 1 is worthy of high praise. I'll come back to that thought later though.

Summertime is always blockbuster season. Last year, in the dog days of June, July, and August the movie gods rewarded us with films like The Hangover, District 9, and Sherlock Holmes. I guess sometimes the sun just shines brightly on us. This Summer season though, we've spent our hard earned dollars going to theatres to see lackluster films like The Grown Ups, Get Him to the Greek, and what was a slight glimmer of hope in Iron Man 2. The only positive this year has been a kid's movie that I've waited 15 years for. And believe me, Toy Story 3, we are thankful and we salute you. But where are all the deeply rooted, thought provoking films I long for? How long would I have to wait for a mind blowing cinematic experience?

That all changed one week ago today. Christopher Nolan, the latest phenom in direction, has perhaps shown us a light at the end of the tunnel. Nolan has directed praiseworthy films such as Memento, The Prestige, Batman Begins, and The Dark Knight. That filmography isn't too shabby. But his July 16th release, Inception, had so much buzz and hype surrounding it, I questioned whether or not it could live up to expectations. To my surprise, it seems like I shouldn't worry too much. Inception, starring Leonardo DiCaprio and Joseph Gordon-Levitt, has been the toast of the town receiving high praises from EVERYONE.

The movie theatre experience is sacred to me. Nothing bothers me more than chit chat or texting during a film. I know every showtime is going to be packed for some time, so I probably won't venture off to see it until it's nearing the end of it's run (hopefully nothing gets spoiled for me). When I do, I will let you know if Inception is the real deal. And if it is, once again, Thank You Christopher Nolan!

My Generation Needs Some Answers

While on a weekend getaway to the illustrious Delaware Beaches (Rehoboth and Dewey to be exact), some interesting debate sparked between a few of my friends. The question was posed, and it was simple, "Who is the best actor of OUR generation"? Now to define "our" is the basis of the whole controversy. Seeing that I'm 27 (going on 22), I had to determine an acceptable age to cap what represents an actor of my generation. So I've decided to draw a line in the sand and mark such generational borders. I've restricted the argument to actors under the age of 42 (15 years older than me). My apologies to George Clooney, Johnny Depp and all other fogey's out there. No matter how young and hip you still TRY to appear, you've already had your shot. So move over and let the next crop of actors take over the reins.


To narrow down my search for this numero uno in hollywood, I began by mass texting friends of mine who have a deep rooted passion for cinema. I asked them to keep feeding me names of their favorite actors who were within the age limit. The responses poured in one after another, and I compiled a list of about 35 names. But then I decided the list wasn't long enough. After spending hours relentlessly scouring through IMDB, I had more names then I knew what to do with.


Next, I mulled through these numerous actors and cut it down to 25 of the best ones that I've had the pleasure of growing up watching. I chose four people whose movie knowledge I absolutely admire. I asked these four friends (along with myself) to be a panel of judges to help decide this important generational question.


Each judge was asked to compile their own personal list of 20 actors. They were to rate them 1 to 20, 1 being the best and so on down the line. I gave them the list of 25 I'd be referencing from, but allowed them to deviate from my suggested names. Then, I assigned to each of the 20 spots on the list a specific point value. From the 5 lists, I summed up each actor's total to generate the final tally. And now the moment you've all been waiting for, here are my generations top 10 actors:

#10) Ewan McGregor 

(Age 39: The new Star Wars franchise, Moulin Rouge and Black Hawk Down)

I will be posting my own top 20 list later, but you may be surprised to NOT see him on my list. I was the only one of the 5 judges to dismiss McGregor. I really enjoyed Moulin Rouge (and I don't care who knows it), but all in all, I find him somewhat mediocre. That being said, I was a minority.

#9) Emile Hirsch 

(Age 25: Into the Wild, Milk, and Alpha Dog)

Hirsch is really just a pup when it comes to his age. He's just started to get his feet wet, and he could quite possibly be one of the top names in the list 5 years from now. He was always a solid actor, but he reached a whole new level with his daring lead role for Into the Wild.

#8) Javier Bardem 

(Age 41: No Country For Old Men and Vicky Cristina Barcelona)

I was concerned that since he's spent most of his acting career making foreign films, it would hinder Bardem's accolades. I was wrong. All five judges justifiably rewarded Bardem for his Oscar winning performance as the villain Anton Chigurh in No Country For Old Men.

#7) Jude Law 

(Age 37: Road to Perdition, Talented Mr Ripley, and Gattaca)

I'll never forget my introduction to Jude Law. I saw it at such a young age, but I remember thinking how fantastic Law was as a paraplegic willing to donate his identity to aid a man in his quest to go to outer space, in the futuristic tale Gattaca.

#6) Will Smith 

(Age 41: Independence Day, I am Legend, and Hancock)

I will always envision Smith as that endearing comic he grew up playing in The Fresh Prince and then on to comedy's like Bad Boys. But his career has reached a point where you can't disregard his superb talent. I felt he was easily top 5 worthy, but a few judges felt differently about him. Nonetheless, his skills cannot be questioned.

#5) Christian Bale 

(Age 36: The Dark Knight franchise, The Prestige, and American Psycho)

Where do I begin? I was one of two judges to leave Bale out of their top 10. I see Bale as one of those actors who plays in fantastic films, but doesn't carry the picture himself. For instance, Jackman in The Prestige, Ledger in The Dark Knight, and Crowe in 3:10 to Yuma. Having a praiseworthy filmography will never hurt, but I always found him to be good, not great.

#4) Heath Ledger

(Deceased: The Dark Knight, The Patriot, and Monster's Ball)

Ledger's role in Brokeback Mountain sparked the rise of his career. However, he'd been doing quality acting much earlier than that. From a depressed, suicidal prison guard in Monster's Ball to a young man fighting for his country in The Patriot, Ledger dazzled audiences. The roles never too big, but the character's crafted so perfectly. Ledger gave us a look into what could have been the future, with his portrayal of the Joker in Christopher Nolan's The Dark Knight. Hollywood lost a huge talent, but the memory of his work will surely live on.

#3) Matt Damon 

(Age 39: Good Will Hunting, The Departed, The Bourne series, and Invictus)

Damon is clearly a superstar. He finished in the top 5 of four judges' lists. He was 2nd place on two of them. With 10 nominations (Oscars, Golden Globes, and Screen Actor's Guild) yet no wins, Damon is sure to bring home a trophy sometime soon. Talent like his cannot be overlooked. Even with his lesser known films like School Ties and The Informant, he finds a way to take control of the screen. He makes his presence known, and for that we recognize him.

#2) Edward Norton 

(Age 40: Primal Fear, American History X, and Fight Club)

Let me be perfectly honest. Norton was hands down my number one choice for best actor of my generation. However, I didn't want this to totally be about me. I valued the opinions of my close friends and allowed the panel to decide the rankings. That being said, I truly feel that Norton's shortcomings can be directly linked to the fact that he's fallen off of late. Most of his flawless portrayals came during the mid and late 90s. He's almost become forgotten. But I will never fall into that trap, because his performances in Primal Fear and American History X are far too transcending. They were so memorable that Norton was the ONLY actor to finish in each judge's top 5. Now I don't know if he's been led astray by bad advice, or if he's just lost the foresight of a great picture, but his resume has been bare lately. He still has many years left to return to the heights he reached over a decade ago. And if he does, there will countless movies to brighten our years to come.

#1) Leonardo DiCaprio 

(Age 36: Blood Diamond, Catch Me If You Can, and The Departed)

The heavy favorite coming into the competition, DiCaprio stood up to the challenge. Along with Norton, he was the only other actor to finish in the top 8 of all 5 judges' lists. But more impressive is the fact that he stood alone at the top of 3 lists. No one would dare dispute Leo's credentials. From his youthful unforgettable role in What's Eating Gilbert Grape up until his present day blockbuster Inception, DiCaprio has ruled hollywood. He was brilliant in The Departed, charming in Catch Me If You Can, and just plain extraordinary in Blood Diamond. Leo will undoubtedly continue to light up our televisions and movie screens. He's a true legend in the making. So congrats to Mr DiCaprio and his well deserved title: "Best Actor of this Generation"

My top 20 list was as follows:

1) Edward Norton 2) Leonardo DiCaprio 3) Will Smith 4) Matt Damon
5) Heath Ledger 6) Ryan Gosling 7) Josh Brolin 8) Ben Foster
9) Jamie Foxx 10) Javier Bardem 11) Emile Hirsch 12) Colin Farrell
13) Jude Law 14) Casey Affleck 15) Christian Bale 16) Daniel Craig
17) Mark Wahlberg 18) Jake Gyllenhaal 19) Sam Rockwell 20) Joseph Gordon Levitt

Updated: DVD Rental Outlook

It's been over a month since my last post, but in all fairness I have still been watching numerous movies. The only problem is most of them have been indescribably boring. On the other hand, March and April are always 2 of the best movie rental months of the year. Shortly after the Oscars air, many of the year's best films make their way to DVD. So I decided to give you a few pointers on which movies you should choose to see and which ones to avoid.

The Good

1) Precious (Rated R) - Personally, Precious was my choice for best film of the year. The acting is superb and the story is emotionally draining, yet eye-opening to say the least. The movie tells of an inner-city teenager's struggle to overcome all forms of abuse, in an effort to lead a better life for herself and her children.

2) An Education (Rated PG-13) - This clever masterpiece revolves around a bright, young teenage girl who has her sights set on attending Oxford and becoming a career woman during the 1960s, However, when she begins a romantic relationship with a charming older man, she begins to question her life's goal of being a self sustaining woman.

3) Up in the Air (Rated R) - George Clooney, Vera Farmiga and Anna Kendrick all gave noteworthy performances in this depiction of an older man's personal revelation about the meaning of life.

4) The Blind Side (Rated PG 13) - A feel good story about a wealthy, southern white family who take in a drifting African-American teenager and help catapult this young man's life to NFL stardom.

5) The Informant (Rated R) - Steven Soderburgh's fun tale of a babbling idiot's quest to clear his name and take down his company after it illegally conspires to set market prices. He turns out to be a little more than the FBI can handle. It begins to feel slow in the middle, but it resolves very nicely.

6) Sherlock Holmes (Rated PG 13) - There's not much substance to this interesting tale of the legendary detective Sherlock Holmes. However, it's a fun-filled, entertaining picture that is worth the 2 hours you'll invest in it.


The Bad

1) New Moon (Rated PG 13) - At first, I gave in and saw Twilight just to see what all the hype was about. To be honest, I was thoroughly unimpressed. Some avid fans of the series begged me to give New Moon a chance. So I did, and all I can say is it wasn't much better than Twilight. I'm typically a fan of Kristen Stewart but she was unbearable to watch. If you haven't given either film a chance, don't bother.

2) Where the Wild Things Are (Rated PG) - As a fan of the childhood book, I wondered how it would translate to the big screen. It seems good in theory, but the movie was VERY strange and it was awkward hearing Tony Soprano (James Gandolfini) as one of the monsters throughout the picture.

3) Planet 51 (Rated PG) - The movie is an interesting concept that was executed poorly. The animated films takes the point of view of an alien civilization as a human makes contact with the planet. There were flashes of fun, but all in all it wasn't very entertaining.

4) The Men Who Stare at Goats (Rated R) - With a cast as highly decorated as it had, the film was very bland. The best scenes in the movie were shown during it's trailer and otherwise, the story is about a whole bunch of nothing. You'll catch yourself laughing periodically, but not enough to warrant the investment. For a runtime just over 90 minutes, the movie definitely feels like it drags on.

5) The Fourth Kind (Rated PG 13) - I love a good horror movie, but The Fourth Kind is so mediocre it's scary. The narration at the beginning of the film lightened the mood if anything, and the switching between real footage and the actors definitely did the movie no justice. When all is said and done, the film could only be described as "blah".


So now that you have a few ideas of what's available, find a night when the Phillies aren't playing, rent yourself a movie and enjoy.